The magic bra
When I was ten, I had a lacy black sports bra, which served duty as my training bra. One morning, I opened my drawer and found
two black bras rolled there. I laid the bras out next to each other and puzzled over them. They were identical. I looked at the Dean Koontz novel next to my bed, and out the frosty window. It seemed unlikely that a fairy had snuck in and left me a bra. Perhaps my old bra had reproduced like a tribble. Perhaps my dresser had a double in another dimension and a cosmic rift had opened. I was the sort of child who looked in wardrobes for snow and searched trees for faces. An enchanted bra was not the gateway to magical realms that I would have hoped for, but I'd take it.
As it turned out, the bra belonged to our neighbor, who gave it to my mother after seeing mine on the laundry line because it was a cheap thing that didn't offer enough support for actual breasts. My mother put it in my drawer. The mystical bra-fairy poofed out of existence. But the fissure of possibility had opened briefly. A thread of that fissure remains.
And this brings me to...
The Magical Man-Sweater
This fall makes 5 years since events unfolded, and I am ready to be over it. An idea formed itself in my psyche. I would knit the man a sweater - and in its creation, the sweater itself would become magical - transforming my heart as if dipped in the fondue of love. Every stitch would bind me to him and graft shut the injury to my heart. He would wear it and feel loved. And if he fucked up again, I could choke him with it.
And this is exactly why boyfriend sweaters are cursed.
So, knowing I was setting myself up for disaster, I decided to take the thing one step further; this project needs to teach me to be a better knitter, from the foundations up. There are two rock stars of knitting in particular who I consider to be opposites of each other in philosophy: Alice Starmore and Elizabeth Zimmerman. I will hitch this sweater to them and ride it to victory like a woolly chariot.
In her books, Alice Starmore has explicit directions, complicated charts, and even her very own yarns - all of which must be used exactly to correctly achieve her impossibly elaborate designs. Not for nothing is Starmore referred to in the knitting community as "LSD" - Litigious Scottish Designer; even mentioning her name here on my little blog sets me up for a potential slap on the wrist. I am a bit nervous. I just want to KNIT A MAGICAL SWEATER, OK?
Elizabeth Zimmerman, on the other hand, gives gentle advice instead of instruction; she guides you through the process of making a thing and leaves it up to you to fill in the gaps with your own good sense and imagination. And math. Lots of hateful math. She assures me I am smart enough to do this, but I don't think she has seen me counting the bank deposit for work.
So I bought the yarn ($60), ordered the books ($25.00), and took out my implements of mathematical witchery.
My design sketch:
The books: Knitting Without Tears, by Elizabeth Zimmerman, and Aran Knitting, by Alice Starmore
The man liked the snub-nosed Scottish model.
I didn't see a pattern for her, though.
I've loved the the cables in Starmore's St. Brigid since the moment I saw them. The sweater is infamous and terrifying for its complexity.
AUUGH.
I wanted the cables to go up the sleeves, paired with Zimmerman's classic Seamless Hybrid sweater, which has folded hems and innovative construction to complement broad, manly shoulders.
Hmm, where are the sizes and measurements and charts?
Oh, there AREN'T ANY.
The yarn arrived. Plymouth merino superwash in dark, heathered grey. I clasped my hands and went doe-eyed.
Yarn of DESTINY.
I got out my needles, ready to cast on. Zimmerman tells me that I MUST make a swatch. "Otherwise you may sup the porridge of regret with the spoon of sorrow." Well, shit.
She suggests making a hat as a swatch, but I am too cheap and lazy, so I cast on 30 stitches and worked up a little rectangle, instead. Perhaps not off to the best start. I got the numbers I needed and promised to be more faithful to methodology in the future.
It took 7 measurements to determine my gauge: 5 stitches per inch on size 7 needles. I pilfered a sweater from the man's closet and measured 41 inches around. That seemed kind of huge. He has a 36-inch chest and a 31-inch waist (jerk), but if I went by that, he would look like this:
Magic? OH YES. But I don't have a hat.
After 3 tries, my terrific math skills told me that 5 x 41 = 205 stitches. I decided to start with a sleeve, to warm up, and realized that I had no size 7 double-pointed needles. Or contrasting color for the inner hemming. Fack. Ordered the goods ($18.50) and cast on the body, instead.
It started well. I toted the sweater to work with me and knit on lunch break while listening to audio books, and toted it home again to knit in front of weeknight tv with a cup of tea and my bottles of antibiotics.
And then I dropped it out of a moving car.
There was a moment of horror when I looked down at the knitting on my lap and saw the tail leading under the driver's side door. I yanked the car over and jumped out, waving traffic around, and ran down the middle of the lane for 200 yards to roll it all back up into a ball on my hand. Tourists in renta-mustangs swerved, and I tossed a length of yarn over onto the grass, where it became snarled in sticker bushes. After a bit of yanking and cussing and leg untangling, I jammed the wad of snarled thorny yarn into the car and fled the scene. Disgrace.